Come and see the Ingram Prize exhibition which opens today online and on Smartify, with a guided tour and everything! Link at @ingramcollectionuk Thank you @jobaringart and @alisonrhianprice for putting this spectacular together. And to @tomhacketts
You are all warmly invited to a short IG LIVE tomorrow at midday, me talking about my Ingram Prize painting and other things with @jobaringart (join from @ingramcollectionuk profile page, Friday 13th Nov, 12.00) It’ll last about 15 mins, come a
Well, you can’t stay in the Garden of Eden forever. My two years in the Turps Studios came to an end at the weekend, so it’s au revoir not goodbye to the most energising stimulating inspiring colleagues you could ever hope to paint with @
My paintings on the telly: here’s a screenshot from S4C’s report on BEEP, the UK’s only citywide biennial of painting, showing two of mine. You can watch the whole report on S4C’s Facebook, or the Elysium Gallery Facebook. If
I see everyone is either moved or freaked out by that octopus film on netflix. I’m choosing to agree with what @minangel__ said about it, and about this painting, that it was about the importance of all cellular life, so here is my How and Why
What a brilliant surprise, didn’t expect to find myself on the Ingram Prize shortlist! 🍾 #Repost @ingramcollectionuk ・・・ Our 2020 Ingram Prize finalists have been announced! Huge congratulations to: @naturalcuriositystudio @kristina_chan_
I like the Wells Art Contemporary virtual gallery. Not convinced it’s a realistic representation of the interior of Wells Cathedral, but it’s very slick and flattering and works well. Here I am proudly sitting above @daisyclarkeartist and
First book I read in lockdown and it’s so good that I’m already reading it again. Such an interesting moment in painting: painting had died (again zzzzzz) and painters responded with openness, optimism, community and experimentation in th
There’s still time to catch Reality and Its Disorders, curated by @dof.degrees.of.freedom @espaciogallery Thoughtful responses to the last few months. My favourites, the spare and direct Two Metres Plus by @tomhackettsculptor which says what it
#artistsupportpledge In the spirit of generosity fostered by @artistsupportpledge (and by @matthewburrowsstudio at all times) I’m offering my favourite version of the diagram-painting that I talked about yesterday. This was all about touch and
I reckon everybody’s secretly got their own favourite diagram. Every now and then I spend a little time with mine and try to coax it into giving birth to a painting. This time it looks like I’ve done ok, or at least the judges at @wellsar
That’s nice! @wellsartcontemporary #wellsartcontemporary #contemporarypainting #turpspainters #turpsbanana #punctuatedequilibrium @turpsstudioprogramme
Classy thinking from @anartistsinfo and @tomhackettsculptor to review the shows that were cancelled by🦠 And they’ve begun with ours and I’m thrilled with it ! 🙏 Link in bio #exhibition #review #covid19 #turpspainters #contemporarypaint
Posted @withregram • Cockpit Arts Festival of Making | 19 – 21 June⁠ ⁠Personally I think the best part of this midsummer celebration brought to you online by London’s leading makers⁠ will be the talk about home-made colour on Sunday
Herd Defence Economy (oil on linen 40x60cm 2020). This is the second of my paintings selected for the Beep Painting Prize, I feel like talking about it today. I painted it in February when herds were being talked about, and I remembered a paper I rea
Well, I’m over the moon that I’ll be joining the gang of top painters shortlisted for the Beep Painting Prize, and extra-pleased that I’ve had two paintings selected. One of them is the newt I posted a few days ago. I love this show
Tonight I’ve joined the hundreds of others who’ve missed out on great shows due to you-know-what. I would’ve been partying in downtown LA where I’d have been showing this and several other new paintings alongside one or two of
Great work Matt, and thank you from me and everyone I know - for getting this going and for not sleeping for a fortnight to make it what it’s become, a new humanised art market. I’m proud to be playing my part as one of many who aren&rsqu